1 24 61 https://www.sculpturecenter.org/oosi/files/original/2e4efb845659ce2ee658de6d18826b6e.jpg 19d72c52b25914062cf4f70262b59e62 https://www.sculpturecenter.org/oosi/files/original/610dcfd0bcef251305659de61f9f2034.jpg 19f266b3836daec72b3bdf296ce94d62 https://www.sculpturecenter.org/oosi/files/original/72bc126610771e5a2009baf167a004d6.jpg 737bad6add4ad5a324d82ec60278a3b1 https://www.sculpturecenter.org/oosi/files/original/c934d7b9a6ec28793524b92606d5acfc.jpg 72bfc9c43ceb6cf601f32d4ba73872c7 https://www.sculpturecenter.org/oosi/files/original/e3b12ff24fc681ac19174fbb148f8ebf.jpg b304a5f93b70bb5d79236998696a97c0 Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource A complex of walls formed by large blocks of dark stone, next to the Rainbow Babies & Childrens' Hospital on University Circle. Title A name given to the resource [Complex of Walls] gardens landscape architecture stone University Circle Inc. University Hospitals walls https://www.sculpturecenter.org/oosi/files/original/247e86eb8dcf049cccac4ee8c4a5f110.jpg 97cf90c136b0799c6d43908c1444b062 Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Full Name David Deming's Superman (proposed) Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Deming's Superman [proposed] Description An account of the resource Model of David Deming's proposed statue of Superman, currently on display at the Western Reserve Historical Society. Creator An entity primarily responsible for making the resource David Deming models people proposed Superman University Circle Inc. https://www.sculpturecenter.org/oosi/files/original/e317cbd2838aa3515795eff8ff5661c0.jpg 4c025fa4c6aa6bb4a7187d78007dd619 https://www.sculpturecenter.org/oosi/files/original/69b6097640fc444c6ff93bf24d1fdcb6.jpg d6eed2c3ef2d419a27671cd69d9cf906 https://www.sculpturecenter.org/oosi/files/original/23e4a2af6daac4d104a492023a9973f0.jpg 3509e8800f9eaa6b49730240362060ef Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Full Name Arc Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Info History Source https://www.freshwatercleveland.com/features/Manka031016.aspx Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arc Description An account of the resource A series of low, lighted arcs along Euclid Avenue and delineating the original, historic "university circle" Creator An entity primarily responsible for making the resource Stephen Manka arcs metal reshoot University Circle Inc. https://www.sculpturecenter.org/oosi/files/original/cf738cfc23909f386ab65ef15a8f3dae.jpg 5aa4cbbe394746cf801092d1e9cbf07e https://www.sculpturecenter.org/oosi/files/original/3f548837d8321df36e44b9ae1a576de7.jpg d96e70ae8fc6a53ac5e2c99a854ab44e https://www.sculpturecenter.org/oosi/files/original/722e20e69b8710d4fbecb9d517b2afb4.jpg 61ed2fafe3d7e0be06533b2b10f6790f https://www.sculpturecenter.org/oosi/files/original/779fe1bc9e7c52edb8ce4ece096a9928.jpg ac2de75bf772d523904d46122bf4e5dc Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Full Name Centaur fountain in Wade Park Lagoon (removed) Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Info History Source Plain Dealer Historical, January 10, 1886 "New Wade Park Fountain" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Centaur Fountain in Wade Park Lagoon [removed] Description An account of the resource By the end of the 19th c., Wade Park, owned then by the wealthy Jeptha Wade, was a hub of culture and community. The vast gardens and zoo exhibits that dotted the park brought visitors far and wide. Picnic areas, walking trails, a restaurant, the zoo, and a boathouse on the lovely lagoon kept the park abuzz at all times of the year. Visitors would canoe on the lagoon in the summer and skate in the winter; a shockingly peaceful contrast in activity to the violent fountain at the center of the lagoon. The marble fountain, which cost $1500 to install onto it's $500 base inscribed with the name W. Morse, who oversaw the installation, depicts a bold and brave centaur who has been fatefully lured to a siren's rock by her sweet song. Unfortunately for him, as soon as he climbed atop the rock he was entwined by a wretched serpent. With one hand, he grasps the serpent's neck and squeezes, forcing a jet of mist 50 feet into the air from the it's mouth. From the water on the centaur's proper right, a merman sounds a conch shell in order to draw aid for the centaur, and who should respond but a saurian: a dolphin creature with the ability to kill a sea serpent in one bite! The frantic drama preserved in the sculpture was a definite juxtaposition to the peaceable boating and picnicking that went on around it. The sculpture is reportedly a duplicate of one that Jeptha Wade saw over the course of his travels in Austria. By 1926, the statue had fallen into disrepair and disuse. The growing costs of upkeep and the costs associated with the new art museum precluded any attempts at restoration, and the statue was taken down. Creator An entity primarily responsible for making the resource George Rackle Date A point or period of time associated with an event in the lifecycle of the resource 1885-1886 animals centaurs Cleveland Museum of Art fountains removed University Circle Inc. https://www.sculpturecenter.org/oosi/files/original/2cc0b665c383610270e46c236c950aac.JPG ab5e514e55bf35eaf7cbaf4088db678d https://www.sculpturecenter.org/oosi/files/original/6d10957c9dda65bbe41590a784e18089.JPG 5337d236da29346ce4fef5b4fe3bb394 https://www.sculpturecenter.org/oosi/files/original/a5f3e963eead16f938ed13154d93a7b0.JPG 5dd45d06cfa5e5da94080c4cc7b3c1cc Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State OH Artist First Name TO BE DISCONTINUED. Use the dc.creator field. Troy Artist Last Name TO BE DISCONTINUED. Use the dc.creator field. Carliss Installation Date 2005 Creation Date 2005 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sprouting Seeds Description An account of the resource A series of granite buds with curling steel tendrils bursting from the tops. One of the buds is upright with petals fanning out of the top instead. Creator An entity primarily responsible for making the resource Troy Carliss Date A point or period of time associated with an event in the lifecycle of the resource 2005 University Circle Inc. https://www.sculpturecenter.org/oosi/files/original/d5eddffb6e1476121c9a5ffe52753894.jpg e3ccc3841de89ed60c07f003b95a00dd https://www.sculpturecenter.org/oosi/files/original/3707afd233fb1f5974b81d3223241a7d.jpg 9b3570ba142f4b14456213432311c3d3 https://www.sculpturecenter.org/oosi/files/original/ca430199b32a0444f31c18fc6d8a1a9a.jpg 8e7bd0d7ae4308e8c998aaffb8b06f4d https://www.sculpturecenter.org/oosi/files/original/b157e4d3374040c89bef749816fd65de.jpg d934e8ed49f1b5edabd19c4ae356fb4c Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Full Name Lady Justice Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Provided Date 2017 Artist First Name TO BE DISCONTINUED. Use the dc.creator field. Saige Artist Last Name TO BE DISCONTINUED. Use the dc.creator field. Camasi-Byham Installation Date 2017 Creation Date 2017 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lady Justice Description An account of the resource A mild steel abstraction of Lady Justice. Her metaphorical attributes have become physical extensions of her body. Her blindfold curls through the front of her face; her sword, bearing the year 2017, twists and curls into her leg; her balance (with one cup full of water, and the other with mulch) swings back and forth precariously, attached at her wrist. The rust represents the malleable nature of morality over time. It was blacksmith-forged in a traditional way. Her limbs and body are formed out of twisting rods and "rocks" made of the same material as all her tools. Creator An entity primarily responsible for making the resource Saige Camasi-Byham Date A point or period of time associated with an event in the lifecycle of the resource 2017 abstract Case Western Reserve University Cleveland metal steel University Circle Inc. https://www.sculpturecenter.org/oosi/files/original/83c8bb3f83bcc987bd7b44cca8a4963a.jpg 0d1874182db08df4267f70b794bc6cd5 https://www.sculpturecenter.org/oosi/files/original/68fab95434dae6f006113d76cfa34537.jpg 243fce07cebeecb0eaadb9dfdb2d0655 https://www.sculpturecenter.org/oosi/files/original/59a0e6e400e0113f0cb9df040cf3052e.jpg 2d353c08f9565d64c0f0aed06afd3f1e https://www.sculpturecenter.org/oosi/files/original/d98ff0b9f2e239037c7f9a3c3fc93d3a.jpg 9410aa2a74b9290af2a91cfec19cd3d8 https://www.sculpturecenter.org/oosi/files/original/ba1e50d584363ea5d7da3b7ecddd00d6.jpg c64be32b543ea1ad05194587aad504b1 Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Location Site The site where the sculpture is located (e.g. Old Church Park) Cleveland Botanical Gardens Location Street The street name or intersection where the sculpture is located. When possible, include an address (e.g., 620 Delaware Ave). MANDATORY East Blvd. Location Description Gates that lead from the children's garden into Wade Oval Media Sculpture Height The measurement from bottom to top of the sculpture (e.g., 5 feet, 6 inches) 14 ft. 6 in. Media Sculpture Width The measurement from side to side of the sculpture (e.g., 3 feet, 2 inches) 55 ft. 3 in. Media Sculpture Depth The measurement from front to back of the sculpture (e.g., 2 feet) 3 ft. 2 in. Creation Date 2004 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Albert Paley Title A name given to the resource Cleveland Botanical Garden Gate Description An account of the resource A large-scale exterior gate commissioned for the Cleveland Botanical Garden. The form is comprised of elements representing native botanical elements found within the gardens such as basswood tree leaves and seedpods, Ohio buckeye leaves flowers and seedpods, sugar maple and poplar tree elements. Date A point or period of time associated with an event in the lifecycle of the resource 2004 Cleveland Botanical Garden University Circle Inc. https://www.sculpturecenter.org/oosi/files/original/5a1fc8c54723e23a6cbf9f609cc9a718.jpg fa4f2ebd8fecbf121827333728f3eb90 https://www.sculpturecenter.org/oosi/files/original/1fc8079df4f34dcad310d4e59673a2c3.jpg 2cf4bf3ef7d74c48a1e173dfa2a170b3 https://www.sculpturecenter.org/oosi/files/original/c14adfb41ff078a26022775aa294b952.jpg baf420b757b1e227796e259adcad7812 Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Big Red Chair. Description An account of the resource Large scaled red Adirondack Chair in the Wade Oval lawn, near the Botanical Gardens. This piece is owned by University Circle, Inc. and displayed intermittently for events at Wade Park. University Circle Inc. https://www.sculpturecenter.org/oosi/files/original/118e8cd327dac246299bc4425b1153f1.jpg 21d3982b7085ba1ee244665c329b61a8 https://www.sculpturecenter.org/oosi/files/original/f9d7be8485b333a16d729dbd834b246a.jpg d023b92f7f55e562c5e35c0989ebd9f1 https://www.sculpturecenter.org/oosi/files/original/f2b225e20a18b12bfca14187f0d69725.jpg b00e50d792db6ce2f7a0b6a80ae849a7 https://www.sculpturecenter.org/oosi/files/original/dd671f37870d02be6123b203ec392cc3.jpg eb2e8fcb670d5b6e2d24b85b404862e7 https://www.sculpturecenter.org/oosi/files/original/13f06de1aa3374617bb6b3bcf6e13cd5.jpg 7c2378ae48d86f2cfa10919cf068953f https://www.sculpturecenter.org/oosi/files/original/5fb5e4320ea9a7534ee554f1821f50ee.jpg 2ad572380e70e9526f1207714f904957 https://www.sculpturecenter.org/oosi/files/original/3f6d63ef207d07cc8dc2597398f68794.jpg f3e53d8f0fa053a953620d0b2e3a6199 https://www.sculpturecenter.org/oosi/files/original/90bf41235dc68cc714821d5b2b9b0914.jpg 50236d423613568da6c8cf9e2243fd36 https://www.sculpturecenter.org/oosi/files/original/477b4b3355eab23f864721aa639614ea.jpg 7379e4b975c82425e770dfa9ade36590 https://www.sculpturecenter.org/oosi/files/original/958e26f8a74a55b7608acd1239f17d31.jpg 285f8dc816f9ec8960dea4eb0e02f117 Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Schneider Healing Garden Source A related resource from which the described resource is derived http://www.uhhospitals.org/seidman/about/schneider-healing-garden Description An account of the resource A therapeutic space used by the Seidman Cancer Center at UH to help relieve patients of stress. After passing through the twisting. fantastical gates that lead into the space, one finds that the garden is centered around a large, intricate labyrinth, inlaid in the ground. Surrounding that, around the perimeter of the circular garden are a series of zen sculptures. Most of them represent one of the elements: Earth, Water, Wind, or Fire. Almost all of them are interactive, like the bench, hastily sculpted from a full rock. Others are kinetic, like the bright pink glass pinwheel about 25 feet in the air. Yet another piece is a metal bell that gently sounds with a mellow ring when gonged. The clever design leads the viewer peacefully around the space to experience everything there is to offer. Virginia Burt is an accomplished landscape artist who specializes in therapeutic spaces. Her work at the Seidman Cancer Center is not only beautiful aesthetically, but it is beautiful in its mission to heal the sick through art. Creator An entity primarily responsible for making the resource Virginia Burt Date A point or period of time associated with an event in the lifecycle of the resource 2011 sculptures by women University Circle Inc. University Hospitals https://www.sculpturecenter.org/oosi/files/original/80d3b1cecefd8632f2869ac3300011d4.jpg b1dc3f74dcffe390bd0ffd128e79f64c https://www.sculpturecenter.org/oosi/files/original/bd1a0b5676aefcebe578f47190bb4266.jpg 032ab045c5fc7735319cb4c230a87846 https://www.sculpturecenter.org/oosi/files/original/6af7cc47d97359e7a25d937365119c39.jpg 1531289a815bec1d1358c7130ab86067 Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transfer Creator An entity primarily responsible for making the resource Christopher McConnell Date A point or period of time associated with an event in the lifecycle of the resource 2013 Description An account of the resource A curved stainless steel form. The outer edge of the curve has three sharp, wavy ridges. By leaving a gap between the two nearly-touching ends of the sculpture, McConnell creates an anticipatory, anxious energy. The viewer wishes to close off the piece and be left with a perfect teardrop shape. Instead McConnell leaves a painfully small space that is filled with that anxious energy from the viewer. That small gap tingles with the viewer's need for a perfect, continuous sculpture. Playing on natural human tendency proved to be an excellent way for McConnell to incorporate the viewer into his sculpture without a physical demand. University Circle Inc. University Hospitals https://www.sculpturecenter.org/oosi/files/original/af8a3936b8855340c60fecd929da11b1.jpg fbb690072bc321cdf9d6794848a6dd76 https://www.sculpturecenter.org/oosi/files/original/0abc5ab5d91f8cdcc3c1fbcede6c1136.jpg b1f64b4d7a5c0b865405c0ca42d8ec00 https://www.sculpturecenter.org/oosi/files/original/d6f7ab7f54c917554f317c417e99bcf6.jpg e4fab0a07ab13de9809aa147cbab690d Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I-90 Creator An entity primarily responsible for making the resource Carl Floyd Source A related resource from which the described resource is derived plaque Date A point or period of time associated with an event in the lifecycle of the resource 1975 Description An account of the resource A sheet of brushed steel on an incline. A section of the sheet has been cut out in an incongruous shape, and bent out of place. A flat, cylindrical ring rests on its side beside the structure. The name "I-90" could potentially be a reference to the East-West highway that runs through Northeast Ohio and the longest Interstate highway in the US. The sheet is bent up at 90 degrees on either side, giving it the general appearance of a road with guard rails. Floyd is a known architect-sculptor who has a passionate devotion to environmental and ecological preservation., and perhaps this devotion manifests itself in I-90's installation. The brushed, black, almost mechanical piece rises out of a sea of colorful flowers. The abstracted roadway acts as an indelible, conspicuous stain on the natural beauty around it. University Circle Inc. University Hospitals https://www.sculpturecenter.org/oosi/files/original/f6ffeea6503427d89fbfaf38fa7bbd54.jpg 551e786487154cad5066da2fea3c7832 https://www.sculpturecenter.org/oosi/files/original/c794a8da97ae3898624795b7c0355308.jpg 9cc634f1d7879d4ed83f1fc73308de4c https://www.sculpturecenter.org/oosi/files/original/ddf2c338ca781d25e27993d4a7aed30a.jpg d5906cf20e65bf0808cad241c881cacc Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Galactic Spanner Creator An entity primarily responsible for making the resource Fred Schmidt Date A point or period of time associated with an event in the lifecycle of the resource 1984 Description An account of the resource Abstract sculptor and Cleveland native Fred Schmidt was an industrial welder before he was an artist. After welding together some random metal shapes, he caught an inspired passion to create. Much of his work features twisting forms and dense horizontal volumes, but Galactic Spanner is much less. Strikingly minimal for Schmidt, Galactic Spanner is just four, slightly curved bars of metal coming out of the ground. All of them curve in some way, and two of them intersect at a pointed angle. The minimal design in a piece named "Galactic Spanner" is interesting, especially because of how active his other pieces tend to be. University Circle Inc. University Hospitals https://www.sculpturecenter.org/oosi/files/original/4ca198b65cd62bbcaa0427503c5d09cc.jpg 48ee18bb2cfa5356622ea6d69b7e2126 https://www.sculpturecenter.org/oosi/files/original/0f3533081b81553d50b6dc25d9473d3c.jpg 02c298e01dd2b19490de0995a1715d6e https://www.sculpturecenter.org/oosi/files/original/928a3a7467c5afcdce935d7dc6bb3c95.jpg 69a9c62a40d9c2213b8f6b78d40326a8 Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Full Name Untitled [Abstract Metal Rods] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled [Abstract Metal Rods] Creator An entity primarily responsible for making the resource Fred Schmidt Source A related resource from which the described resource is derived plaque Date A point or period of time associated with an event in the lifecycle of the resource 1975 Description An account of the resource A painted steel structure. Straight, narrow bars rise out of the ground and converge into a dense mass of cut plates, slivers, and crumpled sheets, all of steel. Similar bars then shoot out of the top of the chaotic fray. Though this piece is non-representational (at least not implicitly so), there are a number of images that this piece calls to mind. The solid, straight offshoots entering and leaving the center mass are reminiscent of a prism refracting light, though in this case neither the "prism" nor the "beams" are clean nor precise. The other image that comes to mind is that of a campfire. The legs act as the tipi-stacked logs, with the "fire" in the center dancing and flickering about. Then the smoke is formed with the beams coming from the top. Despite being both non-representational and non-geometric, this piece feels remarkably out of place within Schmidt's body of work. There are no familiar curves or harmonious forms. Instead, this precariously balanced, vertically-structured sculpture plays with a darker, more twisted side of abstraction. University Circle Inc. University Hospitals https://www.sculpturecenter.org/oosi/files/original/6a9ac8f12ec4cbe55b63968bf5499f2c.jpg 6af291541d0525c7fac3114487da9af9 https://www.sculpturecenter.org/oosi/files/original/4886b39796d8d5b9ffda2b565effbf0b.jpg 197f87f5e9388a3b2acd17d55650d7a6 https://www.sculpturecenter.org/oosi/files/original/dec5fe435ec37ae9193abd6d3e1da71b.jpg 74fc3efe1807d1971e824129cdc7944f Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cantamar Creator An entity primarily responsible for making the resource Woods Davy Source A related resource from which the described resource is derived plaque Date A point or period of time associated with an event in the lifecycle of the resource 2012 Description An account of the resource A gravity defiant stack of rounded rocks on a rough granite base. Translating roughly out of Spanish to "Song of the Sea" Cantamar (the Mexican city off the coast of which Davy finds these rocks) is constructed from rocks found along the coast. Davy combines these rocks into a structure that mirrors the waves that shape the rocks. The result is simultaneously organic in form and unnatural in substance. The image Davy creates is one consisting entirely of natural elements that could never be seen in nature. It is a powerful sculpture in this regard, highlighting human dominance over the elements (both the tides and the earth), while also reminding the viewer of the simple beauty that occurs without us. Davy is a "green" postmodern artist who prioritizes the uniqueness and the non-uniformity of his materials above the resulting piece. His fondness for stones in his art stems from his appreciation for the fact that every stone contains the story of its formation and evidence of its interaction with its environment. University Circle Inc. University Hospitals https://www.sculpturecenter.org/oosi/files/original/7cfd203095c6bd285c84575f4a700dc9.jpg 77ee69f9566052e7ac4d1789437c0b42 https://www.sculpturecenter.org/oosi/files/original/f1b2256dcd5b2a6be0590883572db08e.jpg 2ff132e1fe754569cdcd4c0f519003a5 https://www.sculpturecenter.org/oosi/files/original/ada4b7e45f039cbf3728e5b86666c0ef.jpg 1212f0014648c152894aba37e3e65b6a Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Salem No.7 Creator An entity primarily responsible for making the resource Antoni Milkowski Source A related resource from which the described resource is derived plaque Date A point or period of time associated with an event in the lifecycle of the resource 2011 Description An account of the resource A geometric Cor-Ten steel piece that consists of six imposing cubes, each protruding from a separate face on a hidden, central seventh,The cubes are all congruent: made from the same material, same size, even the same angle. This means that from different angles, due to the differences in lighting on each face, the sculpture takes on a unique form. The canted angle being what it is, the highlights pop and the shadows lay back, giving the viewer a fascinating 2 dimensional image no matter where it is viewed from. The installation outside of the hospital brings a unique significance to the shape of the sculpture. If it were placed level, the sculpture is also the shape of the medical cross. The piece lies on its side with a multitude of angles to see the cross from, signifying a universal openness for healing. Antoni Milkowski was a 20th century minimalist sculptor who liked to focus on repetition of patterns and shapes, as well as how negative space impacted a sculpture. In Salem No. 7, the repeating cubic forms, placed at an angle where the negative space can cut into the image shows a true mastery of his style. University Circle Inc. University Hospitals https://www.sculpturecenter.org/oosi/files/original/283d7022a105e35d310451451ad4aa8c.jpg 60837487f9a3d5d7ab145a9cb668fed4 https://www.sculpturecenter.org/oosi/files/original/ded248f99f68aae999ae50f9c9e02da2.jpg 97294220a5897a2e6cb0626b12fb2266 Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Where Dreams Come True Creator An entity primarily responsible for making the resource Hector Vega Description An account of the resource A flat figure with upraised arms presents the Rainbow Babies logo to the passing public. The figure is built out of steel plates and coated with mosaic tiles. On both sides of the sculpture. the mosaic tiles depict a single figure made up of a collage of diverse people. So one half of the head on one side has long hair, while the other half of the head has a short haircut swept over the forehead. The clothing and shoes are fragmented and made up of different types, colors, and styles. The point of this disjointed presentation is to allow any child who passes through the doors of the hospital to see themselves as the dream coming true. This sculpture was designed by Hector Vega and gifted by philanthropists Iris and Mort November in memory of Mort's late daughter Debra Ann. The sculpture is a beacon at the doors of childhood healing. The designs are exemplary of Vega's bright palette and eye for rhythmic geometric patterns, which both serve to uplift the viewer and appeal to the children. Date A point or period of time associated with an event in the lifecycle of the resource 2008 University Circle Inc. University Hospitals https://www.sculpturecenter.org/oosi/files/original/5312b8b3330420b93f93aadb638dcd1d.jpg 31be13118e1e043fee9a91261c440e2b https://www.sculpturecenter.org/oosi/files/original/12b2bb394f12a3c37f1618d6b2469c3a.jpg 6ff2a35d1610bbbfac0317fa3c13b9cd https://www.sculpturecenter.org/oosi/files/original/e4ab2af8b767b2a41fe6ae189820b922.jpg 30293ef1f0be46a83c5834f2ffa16ec4 Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Where Hope Is Born Creator An entity primarily responsible for making the resource Hector Vega Description An account of the resource A flat, stylized interpretation of a woman cradling a newborn baby. The woman's figure is made up of all skin tones, clothing styles, and hair colors/types. Pastel plates of solid color interrupt the various flesh and hair tones to lend a stylish. colorful air to what would otherwise be a mish-mosh of parts. The woman wears a dress and a business suit to signify both working and stay at home mothers. On the south side of the two-sided statue the baby wears a blue hat labelled "Mort" and on the other side the baby's pink hat is labelled "Iris" both to commemorate the donors of this piece, Iris and Mort November. This statue serves as a marker for the entrance to the MacDonald's Women's Hospital. It is replete with examples of designer Hector Vega's ability to incorporate bright colors and textural shapes into a work in order to add another dimension of depth. The diverse collection of people represented in the statue allow any woman in need of healing to see herself in the work. The placard notes that it is a celebration of the life of Debra Ann November; Mort's daughter who tragically passed away at the young age of 24. Mort has since then devoted his life to philanthropic charity in her memory and the memory of her late mother as well. Date A point or period of time associated with an event in the lifecycle of the resource 2015 University Circle Inc. University Hospitals https://www.sculpturecenter.org/oosi/files/original/e8e8ce40f52184b8b6af102daa206e27.jpg b3248b12c1908946646bc2e8b8688841 https://www.sculpturecenter.org/oosi/files/original/f1e3aa2c4b30df3ae18af1697fc48904.jpg 6735372b6fb5205f7eb26cb255a1ebd7 Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alphabet Blocks Description An account of the resource Four oversized alphabet blocks bearing the letters "U", "H", "C", and "T". The "UHC" presumably stands for "University Hospitals Cleveland." University Circle Inc. University Hospitals https://www.sculpturecenter.org/oosi/files/original/31361afda79f29f0498e3c4325d0147b.jpg e14315d3f68bfbd2d827808a0c9ed9c2 https://www.sculpturecenter.org/oosi/files/original/595ed83f588584df36a8794fa9b4e57b.JPG 16c99c6540e74cc6ccb9d847b37b0ddb https://www.sculpturecenter.org/oosi/files/original/c52b9f783014273d331e274075fc6a88.JPG c5495f24c8437d7cea7b46df6aa18be0 https://www.sculpturecenter.org/oosi/files/original/4ff2b800de471bb76b81768eee3b3888.JPG 9178a63fcbbab35768f526ee5de487e6 https://www.sculpturecenter.org/oosi/files/original/0e72aa37219164d16274dd4086d2ff91.JPG 9cef2cb5390c2010831f26d5dba2b097 https://www.sculpturecenter.org/oosi/files/original/117e61641264df5ba692022ccf5be1a0.jpg 03e3e9d9be9076cd6d4ff9787f05c78e Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bacchanale Creator An entity primarily responsible for making the resource Malvina Hoffman Source A related resource from which the described resource is derived plaque Date A point or period of time associated with an event in the lifecycle of the resource 1917 Description An account of the resource On the peaceful marble promenade that lines the grand Southern entrance of the Cleveland Museum of Art, Cupid makes his work known. Two nude figures, a male and a female, revel together in a sensual work from Malvina Hoffman. The woman wears a simple diadem around her temples and nothing else. She is running, with her left foot just leaving the ground and her right foot in the air. Her left hand reaches across the man's body and grasps his left thigh, while her right hand holds one end of a sheet that flatters behind the two lovers like a parachute. The man is in identical running pose. His left hand holds the other end of the sheet and his right hand is wrapped behind the woman's body, around her waist. Both figures wear broad, lively smiles. The man fixes his bright eyes on his partner's, while she looks up at his hand. Much of the sexual imagery in the piece is stated: her hand on his thigh, his hand on her waist. But there are much subtler, more covert images as well: the congruent posing of the figures draws them closer together for the viewer. Her hand being where it is while her eyes are fixed on his hand may inform the viewer of her desires. The title also is a reference to sex and orgy. The Bacchanalia was the Roman feast in honor of the god Bacchus, god of wine and revelry. His festival reportedly consisted of rampant sexual frenzy, drunkenness, and general chaos; a night to forget more than a night to remember. This piece may be an image of two lovers engaged in the pleasantries at a Bacchanal festival. Malvina Hoffman was an American sculptor famous for her life-size bronze, marble, and plaster statues of dancers. The graceful elegance of the figures outside the CMA wonderfully reflect her ability to capture the beauty of movement and the human form. Cleveland Museum of Art sculptures by women University Circle Inc. https://www.sculpturecenter.org/oosi/files/original/0a57dac69342894f73e43dd4d636377b.jpg 594e5b27559761a7722b3f869380409b https://www.sculpturecenter.org/oosi/files/original/9593415e003cebe8f94c1940edf06535.jpg 96b02af9f18791b9fe2e5a4bab23844e https://www.sculpturecenter.org/oosi/files/original/a3878fbfbf05a5e70d2e2f4a1e7bd3ff.jpg cb62d3bb02f7a580b9b67146675064ea Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Full Name Boy and Panther Cub Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boy and Panther Cub Creator An entity primarily responsible for making the resource Malvina Hoffman Source A related resource from which the described resource is derived plaque Date A point or period of time associated with an event in the lifecycle of the resource 1915 Description An account of the resource Poised in a dainty, balletic position, a young boy feeds a panther grapes off the vine. He is slender, but strong. He is nude, save for a fur draping that sprawls across his torso. His arm arches up and over his head, holding the grapes that he feeds to the young panther cub in his other arm. Hidden in the boy's tousled hair are what looks to be two premature horns and his face is held in a pointed grimace, rather than a soft and caring smile. It is very likely that this is a sculpture of the Roman wine god Dionysus in his youth. Dionysus is often pictured with bull's horns, which would have been much smaller when he was a boy, the grapes are an obvious connection to the wine that he is lord of, and it is not uncommon to have him represented riding a panther. Hoffman was known for sculpting dancers in the late nineteenth, early twentieth century, and her talents are certainly on display here. Despite the pose not indicating any great amount of movement, the tension in the boy's body and his balletic form are clearly results of Hoffman's love for the natural beauty of the body in use. animals Cleveland Museum of Art panthers sculptures by women University Circle Inc. https://www.sculpturecenter.org/oosi/files/original/7503c43ef4037b02535481931399adf6.jpg 7c58c7bb171eb587a9817a539e442934 https://www.sculpturecenter.org/oosi/files/original/ee0135be64936d48d0287d48f9c00649.jpg b0289fa4c13b5da6e6682b3994a69871 https://www.sculpturecenter.org/oosi/files/original/65a5af748dfad4c79b6175034941dc47.jpg ef061e677ddfc5493bb1e97e63e39974 https://www.sculpturecenter.org/oosi/files/original/3c4e5077a949fad8a8a990ad6c0312bb.jpg 99c4c68fe8aad940b5620976b6eafd6e Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Full Name Flowers on the Plaza: Tulips Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flowers on the Plaza: Tulips Creator An entity primarily responsible for making the resource Hector Vega Source A related resource from which the described resource is derived https://www.kottlermetal.com/news/flowers-on-the-plaza-unveiled-at-the-ronald-mcdonald-house-of-cleveland-6947 http://www.cleveland.com/bernstein/index.ssf/2012/09/life_gave_him_lemons_but_mort.html Date A point or period of time associated with an event in the lifecycle of the resource 2012 Description An account of the resource As if the Ronald McDonald House wasn't already a bright enough beacon for the Cleveland Community, Mort and Iris November commissioned artist Hector Vega to install a garden of bold, stained glass tulips in the front. These perennial, colorful blossoms mark the entrance to the Ronald McDonald house, where struggling families can stay together for free. Like something out of a fairy tale, these over-sized, geometric tulips seem to bow and bob in the wind, as you drive past on Euclid Avenue. They are an endless source of wonder for the children who stay at the Ronald McDonald House, and to the parents they are a reminder of the safety and love the House offers. Hector Vega is a Puerto Rican artist, raised in Cleveland, with an eye for bright colors and a heart for charity. Much of his work has gone to charitable organizations, both local and national, and his singular style is unmistakable. University Circle Inc. https://www.sculpturecenter.org/oosi/files/original/d3e6fdfd9eda05ef2a77c2be94440319.jpg db52f251c167aecf6cbecffbdfcbae2b Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Location Notes Any other information regarding the location (past or present) that does not fit in other element fields. If needed, this is where the Township name may be included for clarification. Behind a foundry-type building attached to Bingham. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Bingham Red Tree Description An account of the resource A series of red painted steel beams. It looks to be made from scrap and found metal that was cleaned, painted, and arranged into a tree-like form. The sculpture is entirely unmarked and lives out in the back of the Bingham building, where one can find the student wood and metal shops. Each piece is fastened to the others chiefly with nuts and bolts, with a few instances of pressing. The edges are crisp and straight, a mark of engineering and skill, and the pieces used vary in shape, size, and thickness. The "cobbled-together" feeling that comes from the hodge podge of pieces, juxtaposed against the deliberate nature of their technical construction give this piece a unique "Natural-Industrial" look. Case Western Reserve University University Circle Inc. https://www.sculpturecenter.org/oosi/files/original/409cea54fac9a30440374d674a7be6c0.jpg b6402bdcc3f56a91bf334fcbd1acebb2 https://www.sculpturecenter.org/oosi/files/original/ec34106efaff0c51c1898b7d568ac7fc.jpg 1a74830eaf355630848251183e03b379 Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Full Name Doc Oc Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ignacio Ocasio ("Doc Oc") Creator An entity primarily responsible for making the resource A. Joseph Kinkel Date A point or period of time associated with an event in the lifecycle of the resource 2009 Description An account of the resource Ignacio Ocasio, better known as Doc Oc, was a beloved Professor of Chemistry at CWRU from 1980-2005. He is dressed comfortably and carefree in an untucked, short-sleeved button down, plain slacks, and unassuming dress shoes. His eyes squint out from behind a pair of perfectly round, wire frame glasses, and a broad, infectious smile illuminates his entire face. He sits with his arm over the back of a sculpted bench, inviting passers by to sit beside him, and let him enjoy their company. Doc Oc was well loved for his energy, zeal, and amiability. From 1980 until his sudden death in 2005, he always learned the names of all his students: a remarkable feat considering the introductory chemistry classes at CWRU sometimes number greater than 500! According to a gushing memorial article from a CWRU publication at the time of his death: "Doc Oc once reported... 'At the beginning of every year, I visit all of the residence halls one by one, and I schedule a day and time to meet with commuters in my classes... It's important to me to meet all of my students individually.' He was known to stay for several hours in the main lobby to help students with any chemistry problem and other difficulties students might have in adjusting to college life." And here he still sits, with open ears and an eager grin, greeting everyone on the busy thoroughfare, just as he had done in his lifetime. Case Western Reserve University reshoot University Circle Inc. https://www.sculpturecenter.org/oosi/files/original/0fec80915f0a6ae153aec6af7448b499.jpg 783386a94b7dea3afac103f434d41543 https://www.sculpturecenter.org/oosi/files/original/d18510bba963959c274ac92bebb53c84.jpg b422da1397077c6a9693289d7a4786a8 https://www.sculpturecenter.org/oosi/files/original/936202f65c51ec4616f3e2bfbcdb896c.jpg 11c260b807c17305a36d4632f2d636b7 https://www.sculpturecenter.org/oosi/files/original/17d7ab86b55437848e9780ac1c7995e0.jpg 2ef763a3ba657c502cc6f54caec2153d https://www.sculpturecenter.org/oosi/files/original/03b0c6b6673a5790f87ff3766907311d.jpg c7e3aba3d153e1e9240eac6d6ec1ed38 https://www.sculpturecenter.org/oosi/files/original/f919ff2904a301436c066e1d5dbc843a.jpg 8ebcbb511476060fc22aa12f92a27e69 https://www.sculpturecenter.org/oosi/files/original/8338d894ee9235fb8a37d49bd9498c7b.jpg e104efb0b372464baf2896e8d4ee2914 https://www.sculpturecenter.org/oosi/files/original/4177e9f3eacd5637873437e290189e15.jpg e1cdab8cc1e5b5e4e07daf777ee61b58 https://www.sculpturecenter.org/oosi/files/original/f4dce5ea2210e7e240a8089601c8aab3.jpg a09d202d728220594b731725911b6f6c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CWRU Putnam Sculpture Collection Description An account of the resource The outdoor elements of the Putnam Sculpture Collection at Case Western Reserve University. Sculpture Sculptural objects in the Ohio Outdoor Sculpture Inventory. Location City The name of the (nearest) municipality in which the sculpture is located (e.g., Wooster). Township names should NOT be used (they may be included in the Location Notes). MANDATORY Cleveland Location County The name of the county in Ohio in which the sculpture is located (e.g., Franklin) MANDATORY Cuyahoga Location State Ohio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John and Mildred Putnam Sculpture Garden - Dancers Creator An entity primarily responsible for making the resource Richard Fleischman Date A point or period of time associated with an event in the lifecycle of the resource 2008 Description An account of the resource What was once an empty, urban lot has been converted into a quiet, inviting, and entirely unique amphitheater space. Richard Fleischmann, the mind behind the Sculpture Garden, was an architect by trade. However, he joined Karl Floyd and Phillip Johnson as the third artist in the Putnam Collection to create a space as a sculptor, rather than an architect. The sculpture garden consists of three main elements: the agave blue spires that curl out of the ground, the purple aluminum benches, and the stepped-amphitheater, highlighted by a bright green decoration on the bannister. Concrete forms the general shape and flow of the space. It begins as a rotunda, lined with benches that face inwardly and outwardly. A path then leads up to the rounded theater space. The seats slope up out of nothing and are abruptly cut off by a swooping band of concrete, topped off by an undulating sheet of green metal. Benches line both the rotunda and the theater. They face out for those who might want to observe and reflect in the space, and they face in for those who might want to bring their friends and talk. Finally, light blue steel structures shoot out of the surrounding grass like Seussian trees. Each one of them arches outward, creating the feeling of a shallow canopy overhead. The curves in the metal also help shape the space into a spherical one, rather than a circular one. Between the name "garden", the benches, and the theatrical set-up, an evident goal of the Putnam Sculpture Garden is exploring the dichotomy between audience and performer. We can visit the space and interact with the art either as doers or watchers. We can face out or in on the bench, and we can be on the stage or in the risers. The Garden forces us to make these choice upon entry, perhaps to help us all learn a little more about ourselves. Case Western Reserve University University Circle Inc.