2015 W2S - WINDOW TO SCULPTURE EMERGING ARTIST SERIES
JANUARY 15 - MARCH 12, 2015
R. Eric McMaster: A State of Resistance
R. Eric McMaster's new work focuses on the gap between potential and fulfillment, with organized sports as his manipulated models in which objects are created and activated by a performance. Central to these works is a lens-based project that uses a full rugby team in custom uniforms that have the potential to generate a color gradient; however, since the play constantly demands the repositioning of the players, the gradient will never be achieved. This exhibition is a culmination of the objects, photographs and video that document this performance.
R. Eric McMaster received his Bachelor of Fine Arts degree from The Pennsylvania State University in 2003 and a Master's degree in Sculpture from Arizona State University in 2008. He has shown extensively, including exhibitions in New York, Paris, New Delhi, Miami, Los Angeles, Philadelphia, Seattle and Phoenix, among others. Recently, his video works were featured at the Hiroshima MOCA in Japan. He is a recipient of the Virginia Museum of Fine Arts Professional Fellowship, the Ted Decker Catalyst Fund and numerous scholastic grants and scholarships.
Using competitive sports, McMaster explores themes of order, resistance, and the individual versus the collective. His works often involve fabricated objects and installations, video, photography, performance, and/or athletes. Working habits range from solo stints in the studio to productions that involve 20 or more people. R. Eric McMaster is faculty at the University of Texas and currently lives and works in Austin.
Julius Lyles: Black Numinous Delights
Julius Lyles uses his art to raise cultural awareness about race, which he looks at in terms of African American identity, equality, and the political problems tied to racism. Black Numinous Delights presents the study of the true beauty of individualism from racial identity, assimilation, and unjustified circumstances. His work is exploring properties of the effect of a fear-based social institution that appeal to the viewers' senses, as opposed to the individuals' struggle from themselves. The intriguing works transform the perception of a space to capture the negative meaning, stereotype, and mythical implications of the word (BLACK), apropos of culture, race, politics, environment, economics, and class, through the juxtaposition of assemblage, sculpture, and photographic metaphors.
Julius Lyles, Cleveland, OH, is an art consultant/curator, figurative expressionist, multi-media artist and is Executive Director of the nonprofit organization Lylesart.org. His artwork has been described as provocative, inventive, aggressive, colorful, diverse, and complex. The artwork has been exhibited at several galleries in Ohio and in solo and group shows in New York, Chicago, Atlanta, Seattle, Pittsburgh, and Washington, DC. Lyles holds a BA in Studio Arts and Photography from Cleveland State University. Central to Julius Lyles's work is race viewed in terms of African American identity, equality, and its political problems. He also draws upon African American art and its contributions to the field. This new installation, Black Numinous Delights, calls attention to the insidious ways in which history manipulates racial perceptions to reinforce stereotypes. Currently Lyles is obtaining an MA in Art Administration from the University of Akron (2016).
The Sculpture Center is a not-for-profit arts institution dedicated to the advancement of the careers of emerging Ohio sculptors and the preservation of Ohio outdoor sculpture as a means to provide support for artists and to effect the enrichment, education, enjoyment, and visual enhancement of the Cleveland community and greater region.
The Sculpture Center receives generous support from The Callahan Foundation, the Kulas Foundation, The John P. Murphy Foundation, the Bernice and David E. Davis Art Foundation, The George Gund Foundation, studioTECHNE|architects, the Leonard Krieger Fund of The Cleveland Foundation, Sculpture Center board members, and many individual donors to Friends of The Sculpture Center. Additional generous public funding comes from the citizens of Cuyahoga County and the state of Ohio through:
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