Bridget Lewis - Aug. 8 - Sept. 5, 2003

Bridget Lewis works in porcelain, muslin, screen-printing and a variety of collage materials recreating mementos and souvenirs. She associates personal experience with material objects (such as a spoon or a piece of cloth), creates an environment for the object which acts as a personal “journal”, then invites the viewer to touch, hold, and perhaps, take home the objects for discovery and reflection of their own.

Image: Installation to Measure 1 Month, 1999
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Eddie Fulcher - Oct. 10 - Nov. 7, 2003

Eddie Fulcher uses multiples of an everyday object to “sew” together an installation. He enhances and exploits the similarities of an object to create a new object with a new meaning. He works in glass, incorporating flowers, dictionaries, neon, and furniture.

Image: Holding Water, 1999
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Justin Coulter - Nov. 21 - Dec. 19, 2003

Justin Coulter creates in bronze and steel. The structures have a delicate, gravity-oriented grace that invoke an instant story: negative space exploration, special tools for a mission, a street sign calamity. His metals are embellished with latex, paints, and paper.

Image: Negative Space, 2002
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Greg Mueller - Jan. 9 - Feb. 6, 2004

Greg Mueller identifies with space and geometric order using forged and fabricated steel, cast bronze and iron, and wood. His architectural forms suggest a setting for outdoor community gathering and individual contemplation. Details reveal a certain degree of deconstruction, exposing mesh, stripped wire, rough edges, interior color and texture – allowing the viewer to understand the inner layers of the material.

Image: Unity, 2001
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Nick DePirro - Feb. 13 - Mar. 12, 2004

Nick De Pirro mixes a purity of manufactured form with a sense of dramatic irony. His work has a machined precision quality carried with a sense of play and absurdity. Materials include forged, machined, and welded steel, cast bronze, iron, and lead, hydrostone, rubber, graphite and grease. A structural object is defined, which on it’s own indicates a sense of purpose. That object is then grouped with another object that modifies the implied intent of the first object.

Image: Untitled Sculptures with X-rays, 2001
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Voss Finn - Mar. 19 - Apr. 16, 2004

Voss Finn creates a celebration of vintage wooden machine tool patterns and found objects. These sculptural contraptions are fantastical, highly colorful, some suspended in air, some free standing. Each piece embodies a unique energy and intent – from frenetic and over purposed, to placid and enduring.

Image: Carnegie Installation, 2002
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Kim Eggleston-Kraus - Jun. 11 - Jul. 9, 2004

Kim Eggleston Kraus constructs interactive architectural walls, fences, corridors, spaces, and mazes. She identifies with a provided space and designs a structure in which to discover the intricacies of the room. Using common construction materials such as plastic fencing, wood, mirrors and fabric, she manipulates sight lines and light levels for her grown-up version of a child’s clubhouse.

Image: Site Lines, 2001
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All photos courtesy of the artists.
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