Winter-Spring Exhibitions 

May 2 – 31, 2008

Charmaine Spencer: A Place To Dwell

The fourth of the 2008 Window to Sculpture Emerging Artist Series

Charmaine Spencer
A Place To Dwell
2008, Installation
4, recycled paper and steel, size variable.
Image courtesy of Sylvester Lazuka.

FRIDAY, MAY 2
5:30 TO 8:30 PM
OPENING IN THE EUCLID AVENUE GALLERY
6:30 PM
ARTISTS TALK WITH CHARMAINE SPENCER AND BRUCE EDWARDS, SCULPTOR AND EDUCATOR

Spencer’s artwork is green in the making and greener in the message. Using cast offs and reconstituted items she describes as readily accessible, easily processed materials that have been made available by consumer-discarders, Spencer creates bold sculptural works with a subtle social message concerning shelter. She disassembles, reforms, and transforms rough cut oak lath, hemp rope, wood strips, synthetic hair, electrical conduit, and recycled paper pulp into large individual pieces that are to be viewed together as an accumulative installation.

Spencer exploits the inherent qualities of the different materials to make contrasting abstract sculptures with strong outlines and interior patterns. Rough cut oak lathing tied with huge rope knots rhythmically bends and contorts to frame an outdoor entryway. Wood strips selectively stained with concrete dyes make sharp rectilinear thrusts into space from densely built up interior forms that suggest walls and rooms. Bristling with rusted steel spikes, free standing organic shapes, cast from recycled paper pulp similar to sun hardened gray mud, curl upon themselves into cave-like structures.

As social critiques, Spencer’s installations recall the successful use of limited resources in traditional African communities and propose that the critical housing needs in this country could be met with the recycling of the material abundance found in our neighborhoods.

About the artist

CHARMAINE SPENCER, born in Ann Arbor, MI, came to Cleveland in 1999 to attend the Cleveland Institute of Art (CIA), where she presented her BFA exhibition in 2005. While there she was a recipient of the William McVey Award for excellence in sculpture and one of two students selected to finish posthumously the last sculpture of David E. Davis, the founder of The Sculpture Center. Her work has been shown in a one-person exhibition at Groop Gallery (2004) and group exhibitions at The Art Gallery at Cleveland State University (2004), SPACES (2005), and Groop Gallery (2006), all in Cleveland, OH, and the B.K. Smith Gallery, Lake Erie College (2006), Painesville, OH. She also designed and fabricated the stage installation and costumes for the SAFMOD Performance Ensemble at Cleveland Public Theater (2004). Spencer is active in community arts and culture outreach projects as Coordinator of the Hodge Youth Arts Project and a Representative for ArtSpace Cleveland.

About Bruce Edwards

Bruce Edwards is a Cleveland sculptor and performance artist. He is involved in an advisory role with many area not-for-profit arts organizations, teaches in the Humanities Department of Metro Tri C, and is a member of the Exhibition Committee of The Sculpture Center

 

March 28 – May 26, 2008

tannaz farsi: the formal absences of precious things

The third of the 2008 Window to Sculpture Emerging Artist Series

Tannaz Farsi
the formal absences of precious things
2008, 21 x 45 ft. installation
inflated vinyl, tubing, fluorescent lights, steel, Plexi-glas, cast plastic, 2 video projections (30 min.).
Detail.
Image courtesy of the artist.

Iranian-American Farsi’s starkly white installation the formal absences of precious things can be understood as a virtual world, like a film still on a giant monitor, that conveys a sensation of emptiness and loss. From a central command table, populated only by the molds of two hands and forearms, lengths of tubing run chaotically to huge vinyl balloons, filling them endlessly with air. These are not Andy Warhol’s silver cloud pillows floating joyously in a Merce Cunningham muscular dance. These are empty forms being filled with something that can’t be seen by an unknown force for an unknown purpose.

In this work the artist postulates the similarities between the virtual nature of the memory of things now lost and the virtuality of electronic interfaces, both without immediate, actual objects of association. Videos of prosaic outdoor urban scenes with day changing to night, shot from the artist’s windows, serve as remembrances of what she contemplates each day as she searches to find a reality that remains.

In the 21st century, any object can simply be called up on a screen, and human interactions no longer require direct contact. Our connection with physical reality, even our need for the presence of real things, appears to be fundamentally changing.

 

Tannaz Farsi
the formal absences of precious things, 2008
21 x 45 ft. installation,
inflated vinyl, tubing, fluorescent lights, steel, Plexi-glas, cast plastic, 2 video projections (30 min.).
Video stills.
Images courtesy of the artist.

About the artist
Tannaz Farsi is the Visiting Assistant Professor in Sculpture at the University of Oregon in Eugene. Her nationally exhibited installation work will be seen at Gallery 621 (Tallahassee, FL) and Tacoma Contemporary (Tacoma, WA) in 2008. In researching and appropriating cultural iconography, Farsi utilizes non-linear narratives to create installations that focus on the gaze of the individual and its spatial location. Working with air, objects, and the image, she negotiates the invisibility of perception to produce installations that encompass a sense of longing. Her work has been acknowledged with such awards as a research grant from Global Education Travel Opportunities for travel in China and a Nagoya University Research Grant for travel in Japan and an upcoming residency at the Bemis Center for Contemporary Art in Nebraska. Farsi received her BFA summa cum laude from West Virginia University (2004) and her MFA at Ohio University in Ceramics (2007).

Gallery Hours: Wed - Fri: 10am - 4pm, Saturday: noon - 4pm, or by appointment
Always Free and Open to the Public. Groups and Tours by Appointment.

 

For more information call 216.229.6527 or go to info@sculpturecenter.org.  

The Sculpture Center is a not-for-profit arts institution dedicated to the advancement of the careers of emerging Ohio sculptors and the preservation of Ohio outdoor sculpture as a means to provide support for artists and to effect the enrichment, education, enjoyment, and visual enhancement of the Cleveland community and greater region.

The Sculpture Center is supported by an anonymous donor, individual donors to Friends of The Sculpture Center, Studio Techne Architects, and the Bernice and David E. Davis Art Foundation, the John P. Murphy Foundation, the Kulas Foundation, The George Gund Foundation, Cuyahoga Arts and Culture, and the Ohio Arts Council.

Gallery hours: Wednesday through Friday, 10 AM to 4 pm, Saturday 12 noon to 4 pm or by prior appointment (Free Parking, Handicapped accessible)